​I am  a television director  at the intersection of massive scale and intimate storytelling. With years of helming multi-cam series for Netflix, CBS, Fox and others, I've mastered the art of the "big swing," creating high-impact visuals for shows like The Circle, Big Brother, and Extracted. 

My philosophy is simple: story first. Whether managing a 100 camera setup or a high-octane physical competition, my approach is grounded in narrative. I identify the "why" behind a show before determining the "how. I combine technical mastery of large format production with a reputation for fostering creative, high energy, and collaborative sets. For me, the goal is always the same: delivering high-impact content that elevates the showrunner's vision while pushing the boundaries of what unscripted TV can look like. 

CORE COMPETENCIES:
Edit-Minded Directing: I don't just get "cool shots," I provide the coverage, story beats and editorial cut points that make the post-production process seamless. The show is made in the edit.

Aesthetic Versatility: I adapt the visual to the narrative, ranging from the sleek look of The Circle, to the  sweeping natural beauty of Extracted and the gritty, grind house wrestling of Lucha Underground. I can adapt my visual language to fit any brand identity. 

Management and Efficiency​: I work well under intense pressure and with large crews. I bring out the best in my collaborators, and together we find the story.